![]() This could be captured by a drone or overhanging camera on a line. How Camera Angles Give Dramatic Effect in Film What types of dramatic Camera Angles are used in Film? In horror movies, suspenseful music is used to spike fear and emotional responses in particular moments of the scene.ĭramatic Effects are wide and varied, but are carried out to for-fill a particular function depending on the creative endeavour. From the creation of sound, music and sound effects can create certain emotional responses, some would say in a positively manipulative way.įor Example in the movie Jaws, the music which underpins the fear which lurks beneath is used by the creators of the Jaws franchise to indicate that there is danger and that the shark is close. Different Types of Dramatic Effectsĭramatic effects are seen and unlisted in a number of ways in theater and on the screen. Typically an actor might employ physical and or emotional stage action to indicate to an audience a poignant moment.ĭramatic effects can also be employed by using technology to create suspense with sound in film and tv and or lighting to create a specific mood or emotion as an example. In her heart, Girl 6 knows that success is only a matter of time.Dramatic Effect is the ability to emphasize, embellish or enhance an emotion, feeling or happenstance depending on the situation. And that turns out to be just right for the struggling actress she plays here. Randle (Jungle Fever, Malcolm X) carries herself like someone who knows she’s a star even though the world hasn’t caught on yet. ![]() If Girl 6 is, finally, a little disappointing, the woman who plays her is not. Lee is amusing (if atypically subdued) as Girl 6’s next-door neighbor, a professional baseball-card collector who refuses to sell any of his cards, even to pay the rent. (He’s pretty good she’s terrible.)Īlso briefly on the scene are John Turturro, Ron Silver, Halle Berry, Richard Belzer and supermodel Naomi Campbell. Quentin Tarantino basically plays himself, a hot young film director (who makes the blouse-removal request), while Madonna appears as the manager of a strip club. Prince – or whatever he’s calling himself these days – supplied the songs on the soundtrack, and other famous folk keep popping up on screen. The movie drifts back and forth between the character’s sex-phone work and her personal life, introducing us to her shoplifting ex-husband (Isaiah Washington), her smart-and-sassy boss (Jenifer Lewis) and another phone-sex employee, Girl 39 (Debi Mazar). I’m not saying that her preference doesn’t make sense, just that her reasoning isn’t adequately explored. (It is also, however, not nearly as visually compelling as Lee’s other movies, despite some experimentation in a few scenes with high-definition video.) Girl 6 may not have the high ambitions of Lee’s more political productions (Malcolm X, say, or Do the Right Thing), but it’s more engaging and not nearly so single-minded. Working from a script by playwright Suzan-Lori Parks, Lee has come up with a loose, episodic drama that doesn’t go much of anywhere but which is, nevertheless, fairly involving in a no-frills sort of way. ![]() In fact, the heroine of Girl 6 is an aspiring actress who, at an audition, performs a monologue that comes straight from the 1986 film. ![]() Lee’s new slice-of-kinky-life movie turns out to be fairly close in spirit to his She’s Gotta Have It, which the director made a decade ago and which, like Girl 6, deals with sexuality from a woman’s perspective. So I was looking forward to Girl 6, which is set in the world of telephone sex. Spike Lee tends to be on firmer ground when his subject is sex than when it’s politics. ![]()
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